At the age of 14, I sat in the cavernous balcony of the Stanley Theatre in
The screen was completely dark. Slowly I became aware of a strange, deep bass rumble coming from the enormous Dolby speakers on the walls. The floor itself, the seats, were vibrating. On the screen, the camera was panning up over the dark side of the moon. Three brass notes sounded, rising; the music suggested infinite distance and enormous possibility. On the screen, Earth broke above the curve of the moon, and an enormous orchestral outburst slammed me back into my seat. As the fanfare continued, I experienced something I’ve never experienced since: the hair on the back of my neck and my arms stood up. I had to know what this music was, what it meant. The subject was not open for discussion. It was an obsession, you understand.